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Conscious
Roots artist SARITAH (sa-REE-ta)
launches Ancient Forward, an important, inspiring and extremely relevant
album.
South Korean born and raised in Western
Australia, SARITAH is a hard-working
independent artist who has built a solid fan base across the country. Since the
release of her debut album ‘Gratitude’ in May 2004, and her ‘These Days/You’re
The One’ EP in September 2005, SARITAH
has toured consistently both within Australia and overseas, performing over 400
live shows.
SARITAH has graced the stage of many
of Australia’s well loved festivals including the Big Day Out, the West Coast
Blues n Roots Festival, Woodford Folk Festival, Reggaetown, Island Time and
Peats Ridge amongst many others. Overseas SARITAH
has performed at the Greenroom Festival (Japan), Sori festival (South
Korea), Parihaka International Peace festival (Aotearoa/New Zealand) and
Canadian Music Week (Toronto).
Recorded at Brisbane’s Tanuki Lounge with
producer/bass player Paulie B (bass player for The Beautiful Girls and George),
Ancient
Forward is an engaging, uplifting and playfully powerful release.
Songwriter, vocalist and
multi-instrumentalist SARITAH is a
talented artist with a positive vision for the future. On Ancient Forward, she
plays an array of instruments including electric, steel string and nylon string
guitars, keys, percussion, melodica and on the defiant Our Future, drumkit and bass guitar. She is joined by a diverse
selection of some of Brisbane’s finest musicians.
From the opening track, Right Way Home, you are instantly drawn
in by the combination of a driving dancehall groove and vocals delivered with a
captivating blend of attitude and grace. The track is a fitting opening to the
album, questioning the intention of the individual and our collective vision
for the future.
A worldly core resonates throughout Ancient
Forward. In Right Way Home guest
musician, Cievash Airen, a refugee from Iran, takes you on a journey with
desert melodies played on the Neah (traditional Persian flute) and haunting
vocals. This global flavour is prevalent in many songs on the album; Saritah
sings Spanish lyrics to a Cumbia flavoured break in Blessings, while on Most High,
South African vocalist/musician, Aranha, does a killa verse and plays the
Berimbau (an ancient instrument from Africa that is at the heart of the
afro-brazilian artform of Capoeira Angola).
Jamaican tones are also key in SARITAH’s style. Many songs incorporate
Jamaican styles like dub and dancehall. Guest Jamaican vocalist Ranking Roger
(UK) offers colourful toasting on Time
Will Come, while ceremonial ‘Nyabinghi’ inspired drumming features on Serious Times.
Environmental concerns are strongly
relayed on Ancient Forward. Time
Will Come is dedicated to a particular development SARITAH opposed in WA, she explains; “I wrote this song when I was
living in Fremantle and a planning proposal to ‘develop’ one of my favourite
beaches was approved. The song questions the notion of ‘development’, and asks
– how long can this go on for? When will we humans realise the long-term
effects of our actions?”
Although SARITAH raises strong issues in her songwriting, Ancient
Forward resonates with optimism. The radiant Sunrise sings of slowing down the pace and enjoying the simple and
beautiful moments in life. Sunrise
uniquely features nylon string guitar and double bass, capturing a soft and
elemental feel.
Whilst Ancient Forward as a
whole is an upbeat album, tracks like Tears
Come Easy and Stargazing showcase
SARITAH’s more delicate and
vulnerable side – songs that pulse with emotion that she captures so
reverently.
On Ancient Forward, positivity and
affirmations sit organically beside the serious. Driving rhythm sections and
programmed beats give way to space and melody; earthy textures create a worldly
yet intimate album that for the listener, is a joy to hear. It is an album that
flows and ebbs in a dynamic, colourful style that SARITAH has cemented, as her own. An accomplished recording, it
confirms SARITAH as one of
Australia’s most talented and exciting artists, with something to say.
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